“A southside collective of songwriters modeled loosely on the template established by Saxon supergroup the Resentments a decade ago, the S.A.Moonlighters take a big step with “Burn & Shine,” their first studio album. 

Former members of Mother Truckers, Stonehoney and Monte Montgomery’s touring band collaborate on an eclectic mix of rock, soul, funk, blues, country and more; whereas the previous live disc was highlighted by covers, they’re now bringing their own material to the fore. Highly Recommended.” 

Bridging the gap between generations of music-lovers and redefining blues-based American music for a contemporary audience, Loomis created his own path and built a loyal following by blending myriad influences, clever songwriting, and an expressive voice into a sound that defies description. 

Feeling his current style, layered onto his bluesy foundation, will attract a new generation of fans, Loomis looks forward to the appeal GIVE IT BACK will have on today’s young listeners.

Born in Adelaide, South Australia, Four-Time Australian Mandolin Champion and multi-instrumentalist/vocalist Kym Warner moved to the U.S in 2001. A founding member of the progressive acoustic band The Greencards, Kym toured the US, Europe and Australia extensively for thirteen years, recorded six studio albums and received accolades such as Three GRAMMY nominations, a #1 Billboard Bluegrass Album, an Americana Award for 'Best New Artist' and a national tour with Bob Dylan and Willie Nelson.

In 2015 Kym was asked to play mandolin on Robert Earl Keen’s ‘Happy Prisoner” album and the following ‘Live Dinner Reunion’ album and has been a part of Robert’s touring band since 2015.

Kym released his debut solo album ‘Everything That Brought Me Here’ in 2015 and has  been performing as a solo artist playing a variety of instruments (mandolin, bouzouki, ukulele, electric mandolin) playing both original and cover songs and telling the stories of the songs and his travels that have lead him to become an American Citizen and Texas resident.

No cover charge.

This little gem might be a bit easily overlooked in Houston’s typical bar scene, but that’s because it’s an entirely different kind of place. McGonigel’s Mucky Ducky is an Irish pub that features a very popular open mic night every Monday at 7 p.m. (sign up by 6:30 p.m.) You’ll hear plenty of folk, country and acoustic renditions by performers that spent their afternoon in classes at Rice or a long day at the office. Not only does the pub feature an impressive array of live music almost every night, but the Mucky Duck has been listed by Billboard Magazine as one of the 20 best acoustic venues in the country. - CBS HOUSTON

The Duck stage is open for you to present your original compositions or a favorite song made famous by someone else. 

Comedians, poets, jugglers and mimes also welcome.

Don't be shy. Come on out ~ It's your turn to be a Mucky Duck Open Mic Star.

Each performer has 3 songs or 15 minutes for their performance. 

CD Release!

Charlie Faye & The Fayettes craft smart soul-pop that merges the swinging, swaying sound of the ‘60s girl groups with a vibe that’s so current, they’re dancing to the forefront of the retro-revival movement. 

"Musically, the group hearkens to Motown, Spector or the Brill Building: Charlie is emerging as a budding Carole King, and the songs are good enough to rate comparison to Goffin & King or Mann & Weil." - Huffington Post 

"In a world of new soul singers who actually get what they're talking about, enter the name of Charlie Faye and her unbeatable Fayettes to that list. They could go all the way." - Bill Bentley, The Morton Report 

"The album stretches beyond the coy boundaries of ‘60s girl groups with the opener 'Green Light,' and though 'Eastside' could usher dancers down a Soul Train line, its Stax-styled groove and horn chart service a serious look at social gentrification." - No Depression

"It’s impossible not to be enchanted by one of this year’s freshest, most delightful and all around grooviest releases." - American Songwriter

Charlie Faye & The Fayettes’ debut album rose to #20 on the Americana radio chart and garnered high praise from the press. Often described as a “modern-day 60s girl group” reminiscent of the Ronettes or Supremes, the trio’s original songs, Motown-worthy dance moves, and tight backing band make their live shows an exciting and unforgettable experience.

Faye and her Fayettes make music, sweet music, with an irresistible groove that'll get you moving. The trio’s shared height (they’re all within a half-inch of 5-foot-1) and distinct ethnicities (Jewish, Korean and African-American) just adds cute to their considerable charms.

But it’s the songs ­­— the great, classic-sounding songs with catchy melodies and intelligent lyrics — that set Charlie Faye & The Fayettes apart from the rest. "Musically, the group hearkens to Motown, Spector or the Brill Building,” says The Huffington Post, “Charlie is emerging as a budding Carole King, and the songs are good enough to rate comparison to Goffin & King or Mann & Weil."

Due to the strength of these songs, the band recently signed a licensing deal with Bank Robber Music. A series of great sync placements have followed, including two on the CW’s Riverdale, and others on Seal Team and Girlboss.

"In a world of new soul singers who actually get what they're talking about, enter the name of Charlie Faye and her unbeatable Fayettes to that list,” says Bill Bentley (The Morton Report). “They could go all the way." 

He is powerful and yet elegant, soulful and bluesy, heartfelt and yet soaring in his playing.  A disc from a Musician you will be hearing a lot more from as he gets the recognition he deserves. If you get a chance to see him don’t miss it. - No Depression  - Bob Gottlieb

Whether one’s first impression of Jeff Plankenhorn is that of a monster slide guitarist or an equally formidable songsmith and powerhouse vocalist, the strong likelihood is that, upon even a brief listen, one of these will jump to the fore. -  Roots Music Report - Duane Verh

Anyone who loves that humid place where the blues and rock spill into gospel shouldn't miss this." - Texas Music Magazine - Madison Searle

"Their brand new self-titled LP features rip-roaring banjo, carefree mandolin, soaring harmonies, and lush low-end strings. The Way Down Wanderers embark on a locomotive-like barn-burning adventure and beckon us to join—from the first notes of opener “Dead Birds”, a foot-stomping folk tune, to road-trip worthy ramblers like “Circles” and “Blacktop Highway”, with some snarling guitar-rock thrown in for good measure on tracks like “Changing”, there’s a sparkling gem waiting to be discovered around every single corner on this album."   - Mother Church Pew

“These young men create a fresh perspective on the traditional [bluegrass] genre. Kause’s high, ringing tenor carries the band’s enchanting, uplifting drive towards positivity...”    - Elmore Magazine

“While the band's music won't allow you to sit still, it's their soul-driven lyrics that wend their way into your body and soul.”    -Henry Carrigan

"The collection contains 12 vibrant songs ranging from ballads to driving bluegrass reels and folk rock stories of the road. All told, we are presented with a gang of musicians who are excited about what is coming down the road while also savoring the moment with a rollicking blend of fiddle, mandolin, guitar, banjo and drum." - Glide Magazine

"Even with the cutting, arresting voices of Collin Krause and Austin Thompson on display, the opening tune “Path To Follow” was all about a punchy fusion of drums and banjo. Austin’s vocal leads like “Dead Birds” had a rippling and dense quality almost like rapping. Collin’s songs like Blacktop Highway” had more raspy tenderness. Musically there were jungle drums and mandolin in “Up North,” alt-Irish-country fiddle in “Sweet Morning Vision” and punk grass pogo drive in closer “Truth, Son.” - Craig Havighurst, Music City Roots

“Dead Birds takes what was already good about The Way Down Wanderers and multiplies it by ten. Luxuriant bluegrass picking and steady percussion are met by tinges of fiddle and cello-based classical influence, making for an exquisite overall package that’s quickly readying the Wanderers to take not just Illinois or the States, but the world by storm." - PopWrapped.com

“A polished sound filled with strong vocals and fantastic harmonizing, made all the better with vivid lyrics and powerful instrumentation.” - a  cBestNewBands.com

"The band creates layers of lush instrumentation that serve as a perfect soundscape for their gorgeous vocal harmonies. Their live show is full of energy and just a damn good time. They’re one of those bands that you can tell has a lot of fun doing what they do."